A Set of Eleven Mumuye Rain Wands
Unidentified Mumuye artists, Nigeria
Second third of 20th century
Iron
H. 51 to 115 cm
H. 20 to 45.2 in.
Each of these tree-shaped objects consists of a bundle of wavy irons that were welded together and merge in a sharp point. The taller examples, some of which exceed one meter, possess a thin iron strap wrapped around the stem to hold the branches together. In the older literature this type of object was identified as traditional currency. In fact, these are ritual wands used by Mumuye rainmakers, who either planted them in the ground or placed them in clay vessels to influence the weather. In the past, the Mumuye had one “Master of Rain,” and, second in rank, one “Master of Thunder,” followed by lesser, local rainmakers. The former two were considered the highest spiritual powers in society. They lived in secluded compounds in the mountains, where they had rain chambers that only they could enter. There, they kept their regalia, especially irons and stones, and they made sacrifices of chickens, goats, and millet beer to secure rain. While the wands were utilized in rituals to control the weather, we do not know if they had other ceremonial uses, too.
Some zigzag-shaped rods have a flat surface, but most of them are twisted. They represent the flash of lightning in the sky, and also refer to the sudden movements of slithering snakes, thought to forecast the coming of rain. Moreover, many rods of these wands have a flattened, pointed form that suggests the head of a snake. A few authors have described the rain wands as being gendered, male and female, depending on the size and number of the irons
Mark’s Notes:
One of these was field collected by Martial Bronsin, and I purchased it from Joshua Dimondstein (I believe it is the leftmost one in the front row).
Literature:
. Ballarini, Roberto. 2009. The Perfect Form: On the Track of African Tribal Currency. Milan: Galleria Africa Curio.
. Bovin, Mette. 2019. “Seen or Heard? Masquerades That Cry and Figures That Talk among the Mumuye,” pp. 364-383 in Allen Roberts, Tom Joyce, and Marla Berns, eds. Striking Iron: The Art of African Blacksmiths. Los Angeles: Fowler Museum at UCLA.
. Fardon, Richard. 2019. “Heavy Metal: The Prestige of Iron in the Middle Benue,” pp. 384-391 in Allen Roberts, Tom Joyce, and Marla Berns, eds. Striking Iron: The Art of African Blacksmiths. Los Angeles: Fowler Museum at UCLA.